January 30, 2012

Raimondo di Sangro

The Prince of Alchemists

By Niccoló Graffio

“All scientific men were formerly accused of practicing magic. And no wonder, for each said to himself: ‘I have carried human intelligence as far as it will go, and yet so-and-so has gone further than I. Ergo, he has taken to Sorcery.’” – C.L. de Montesquieu: Persian Letters, CXLV, 1721

In Johann Wolfgang von Goethe’s epic play Faust, the protagonist, Heinrich Faust, sells his soul to the Devil (Mephistopheles) in exchange for infinite knowledge and worldly pleasures. Faust, a scholar who was a member of the aristocracy, made the infernal deal due to his despairing belief in the vanity of scientific, humanitarian and religious learning.

Goethe’s character was fictional, though many believe he was an aggregate of several historical personages. The play, considered to be one of the greatest works of German literature, is taken by many to be an allegory for man’s insatiable and never ending quest for knowledge.

Faust-like characters permeate the history of the world, and their endeavors in the arts and sciences have brought us, for better or for worse, to where we are as a species today. Their knowledge-at-all-costs attitude often brought them fame and fortune, but just as often brought them ruin and disrepute. Even our people, the children of i Due Sicilie, have produced some. This article is dedicated to one of them. Continue reading